🔥🔥🔥 Agatha Christie Analysis

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Agatha Christie Analysis



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Crime and colonialism: Agatha Christie’s And Then There Were None

First, Romeo climbs over the wall of the Capulet orchard. Almost immediately, Romeo sees Juliet leaning on her balcony. He speaks of her beauty as he listens to her speak her thoughts of love aloud. Juliet thinks she is in private, so she talks freely of her love for Romeo. Romeo, after several worrisome moments, announces himself, and swears his love. He startles Juliet, and she warns him how dangerous it is for him to be in the Capulet garden.

She acknowledges that she loves him, but says she will accept only honorable love and a marriage proposal. Romeo implies that he want to marry her, and the two make secret plans for the following day. They finally part, and Romeo states that he will go immediately to find Friar Laurence to arrange the wedding details. The balcony scene serves to develop the characters of Romeo and Juliet so that the audience can begin to sympathize and identify with the young people. It also builds a certain amount of tension and danger with the constant threat of discovery. Not only does Juliet warn Romeo about the danger, but she also protects him form being discovered by the Nurse.

The Nurse calls Juliet several times during the scene, giving the audience the feeling that they may be discovered at any time. This add suspense throughout the scene. There is more to the scene than just the content. There are some complex poetic elements as well. The famous balcony scene is lines long, and composed entirely in blank verse. Blank verse is unrhymed iambic pentameter. In the balcony scene, both Romeo and Juliet speak all their lines in this distinctive meter. The scene begins with Romeo climbing into the Capulet family garden. He states that his friends can not understand his feelings because they have never been in love. Romeo continues with his monologue. Then, Romeo sees Juliet on the balcony.

He stops, and exclaims how beautiful she is. He uses the metaphor of the sun to describe how light and lovely she appears to him. He continues to expand on the metaphor by describing that the moon would be jealous of Juliet the sun because Juliet, as the sun, is much more beautiful than the moon itself. But, soft! It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she.

Romeo looks up at her, and says that Juliet is his love. He wishes she knew how much he loves her. He notes that she is not speaking out loud, but the look in her eye shows that she might feel the same love for him. He is overcome with nerves, and holds back because he feels he is being too bold. It is my lady, O, it is my love! O, that she knew she were! She speaks yet she says nothing: what of that? Her eye discourses; I will answer it. Her eyes, as stars, shine so brightly that even the birds will think that is it daytime. Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return.

Romeo says that Juliet is just like an angel, because she stands on the balcony above his head. He says she is just as magnificent as an angel flying above in the air. O, speak again, bright angel! Juliet believes she is alone in the garden. She stands on the balcony and talks to herself. She is thinking about Romeo and about how much she loves him. She is very conflicted, though, because Romeo is a Montague. The Montagues are the sworn enemies of the Capulets. Juliet asks herself, WHY?? Why does the man she loves have to be Romeo Montague? In this line, Juliet is not asking where Romeo is. She is simply asking why must he be Romeo Montague? So, you can see this line has nothing whatsoever to do with where Romeo is.

Juliet has no idea that he is in the garden below her. She is just talking to herself, and wishing that Romeo could be some other name- or some other family. Juliet speaks to the air, but imagines she is speaking to Romeo. She tells him to deny his family and get rid of his name. If he will not, then she will denounce her own name, and leave her family behind for him. Then, Juliet continues to muse aloud on her love, and the nature of names. She is, in essence, saying that the name of Montague is her enemy, not Romeo himself. She goes onto say that the name is not any part of the actual person. A name is just a word, not the thing itself. Juliet cries out her deep desire that Romeo would have some other name. O, be some other name!

Using the example of a rose, Juliet says a rose would be just as lovely if it had a different name—any other name, just like Romeo. At the end of this section, Juliet repeats her wish for Romeo to abandon his name, in exchange for her true love. Romeo, doff thy name, And for that name which is no part of thee Take all myself. Romeo makes himself known to Juliet and she is startled. She asks who it is that has been hiding in the dark. Juliet is wanting to know who the person is that has been listening to her thoughts and words:. He says that he cannot tell his name, because he knows the name is her enemy. He says the name is hateful to him, also. If he had his name written on a piece of paper, he would rip it to shreds.

By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, Because it is an enemy to thee; Had I it written, I would tear the word. Romeo immediately demonstrates his willingness to let go of his name. He says he will be neither Romeo nor a Montague, if either one of those names makes Juliet unhappy. He does this very simply, by saying in response to her question:. Juliet asks Romeo how he got into the garden, and why he has come there. Juliet is asking why Romeo would climb the difficult walls and place himself in so much danger. Juliet: How camest thou hither, tell me, and wherefore? The orchard walls are high and hard to climb, And the place death, considering who thou art, If any of my kinsmen find thee here.

Romeo says he came to garden on the light wings of love, because even heavy stone walls cannot hold love out. He called Christie a "lovely, lovely grandmother in all senses of the word" when reflecting on his memories of her, but added his father had the closest relationship. The person tasked with bringing this piece of work to the stage is Lucy Bailey, who directs the show. She told Sky News that the reason we still love Christie's work some 50 years after her death comes down to the way "she also gets under the skin of these characters". She added there is "something that is so attractive in creating the sort of dark underworld we all love to be terrified of, of the possibilities in all of us to do or to commit murder or step over a boundary".

On encouraging audiences to come back into the theatre, Bailey says the play is "great entertainment". Watch Live. Agatha Christie thriller Witness for the Prosecution reopening at London County Hall Witness For The Prosecution is set in a disused council chambers in London, meaning the show can be performed in a unique courtroom-like setting. Fill 2 Copy 11 Created with Sketch. Monday 13 September , UK. Why you can trust Sky News. More on Theatre.

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