⭐⭐⭐⭐⭐ Disco Music 1970

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Disco Music 1970

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Progressive rock bands sometimes used " concept albums that made unified statements, usually telling an epic story or tackling a grand overarching theme. Some British rock bands that began their careers in the British Invasion 60s, notably The Rolling Stones , The Who and The Kinks , also developed their own particular styles and expanded their international fan base during s, but would be joined by new acts in new styles and subgenres. UK mainstream rock was often derived from folk rock , using acoustic instruments and putting more emphasis on melody and harmonies.

A large number of mainstream rock songs fit into the singer-songwriter classification. The hard rock and heavy metal genres were developed from blues-rock in the late s and early s, largely in England and the United States. From the late s the term heavy metal began to be used to describe some hard rock played with even more volume and intensity. Led Zeppelin added elements of fantasy to their riff laden blues-rock, Deep Purple brought in symphonic and medieval interests from their progressive rock phrase and Black Sabbath introduced facets of the gothic and modal harmony , helping to produce a "darker" sound.

Bands in the new wave of British heavy metal , such as Iron Maiden and Saxon , followed in a similar vein. Unlike progressive rock, heavy metal already a minority sub-culture was able to survive the rise of punk and electronic music intact. Despite a lack of airplay and very little presence on the singles charts, lates heavy metal built a considerable following, particularly among adolescent working-class males in North America and Europe. Glam or glitter rock was developed in the UK in the post- hippie early s.

It was characterised by outrageous clothes, makeup, hairstyles, and platform-soled boots. Other performers aimed much more directly for the popular music market, where they were the dominant groups of their era, including Slade and Sweet. Largely confined to the British, glam rock peaked during the mids, before it disappeared in the face of punk rock and new wave trends. British folk rock was developed in Britain during the mid to late s by the bands Fairport Convention , and Pentangle which built on elements of American folk rock , and on the second British folk revival.

Pub rock was a short-lived trend that left a lasting influence on the British music scene, especially in punk rock. It was a back-to-basics movement that reacted against the glittery glam rock of David Bowie and Gary Glitter , and peaked in the mids. Pub rock developed in large north London pubs. Brinsley Schwarz was probably the most influential group, achieving some mainstream success both in the UK and in the States. Punk rock developed between and , originally in the United States, where it was rooted in garage rock , and other forms of what is now known as protopunk music. This was taken up in Britain by bands also influenced by the pub rock scene and Us punk rock, like the Sex Pistols and The Clash , The Damned, The Jam, The Stranglers , Generation X, The Buzzcocks , Sham 69 , Siouxsie and the Banshees , Tom Robinson Band, who became the vanguard of a new musical and cultural movement, blending simple aggressive sounds and lyrics with clothing styles and a variety of anti-authoritarian ideologies.

However, by , the initial impulse had subsided and punk had morphed into the wider and more diverse new wave and post punk movements. During the second half of the s and early s musicians identifying with or inspired by Punk rock also pursued a broad range of other variations, giving rise among others to the post-punk movement. The genre retained its roots in the punk movement but was more introverted, complex and experimental.

Some bands classified as post-punk, such as Throbbing Gristle and Cabaret Voltaire , had been active well before the punk scene coalesced; [26] others, such as The Slits and Siouxsie and the Banshees , transitioned from punk rock into post-punk. As the initial punk impulse began to subside, with the major punk bands either disbanding or taking on new influences, the term new wave began to be used to describe particularly British bands that emerged in the later s with mainstream appeal. Many progressive rock bands had incorporated synthesisers into their sound, including Pink Floyd , Yes and Genesis. Others were soon to follow, including Tubeway Army , a little-known outfit from West London, who dropped their punk rock image and jumped on the band wagon, topping the UK charts in the summer of with the single " Are Friends Electric?

This prompted the singer, Gary Numan to go solo and in the same year he release the Kraftwerk inspired album, The Pleasure Principle and again topped the charts for the second time with the single " Cars ". Albums such as Visage 's Visage , John Foxx 's Metamatic , Gary Numan 's Telekon , Ultravox 's Vienna , The Human League 's Dare and Depeche Mode 's Speak and Spell , established a sound that influenced most mainstream pop and rock bands, until it began to fall from popularity in the mids. The early s were probably the decade when British pop music was most dependent on the group format, with pop acts, like rock bands, playing guitars and drums, with occasional additions of keyboard or orchestration. Some of these groups were in some sense "manufactured", but many were competent musicians, playing on their own recordings and writing their own material.

In addition to the glam and glitter rock bands who enjoyed considerable success in the early s. Perhaps the finest individual work in the genre was from artists early s artists like Nick Drake , and John Martyn , but these can also be considered the first among the British 'folk troubadours' or 'singer-songwriters', individual performers who remained largely acoustic, but who relied mostly on their own individual compositions. Industrial music was an experimental music style, often including electronic music , that drew on transgressive and provocative themes.

The term was coined in the mids to describe Industrial Records artists. Their production was not limited to music, but included mail art , performance art , installation pieces and other art forms. Jamaican ska , rocksteady and reggae had been introduced to the United Kingdom in the s, and the genres became especially popular with Mods , skinheads and suedeheads. Jamaican music began to influence British pop music, punk rock and the 2 Tone genre with the rise of the often interracial bands, such as The Specials , Madness , The Selecter and The Beat.

The reggae subgenre lovers rock originated in the UK in the s, and the Louisa Marks song "Caught You in a Lie" helped popularise the genre. From Wikipedia, the free encyclopedia. This article is about British popular music of the s. For Classical music, see Classical music of the United Kingdom. Number-one singles Number-one albums Best-selling singles Best-selling albums. Main article: Progressive rock. Main article: British rock music. This section needs expansion. You can help by adding to it. April Main articles: Hard rock and Heavy metal music. Main article: Glam rock. Main article: British folk rock.

Main article: Pub rock United Kingdom. It's hard to resist a good dance beat. Here are the top 40 disco songs of the 70's: The best beats, flares, and disco hits starts with A great bass line sent this dance song to 1, but it wasn't much for lyrics. By Rhythm Heritage. Worst disco song: Disco Duck by Rick Dees. Did we miss a song? It's probably at Those are the hottest disco dance songs of the beat street. Remembering them, don't you want to just dance the night away? Email This BlogThis!

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